October 28, 2009 – New York City – Honora has teamed up with Bare Escentuals, the makers of the #1 mineral makeup in the world, to create an exciting new selection of pearl products.
Much like Honora’s focus the top 3% of the Freshwater Pearl Harvest, Bare Escentuals is committed to only using the purest ingredients in their 100% pure bareMinerals. This mutual dedication to high quality was the initial inspiration for the collaboration between these two brands.
“We always strive to introduce new and innovative products featuring our Freshwater Pearls,” says Ralph Rossini, President of Honora Industries, Inc. “Having the opportunity to partner with a world-class company like Bare Escentuals to create a new and exciting product is everything we could hope for.”
What began as a request from Bare Escentuals CEO Leslie Blodgett for pearl powder to incorporate into their new Beautiful in Pearls Kit quickly became a full-fledged product concept. Honora CEO Joel Schechter and Ralph Rossini decided to create an exciting new color collection of pearls called Barely Blush to coordinate perfectly with Bare Escentuals’ newest selection.
Beautiful in Pearls makeup and the Barely Blush Pearl Collection will be unveiled on Saturday, November 7th beginning with a new Today’s Special Value from Bare Escentuals on QVC. Be sure to check out Honora.TV the first week of November to learn more about this unique pairing of makeup and jewelry.
About Honora
With a history of over 60 years in the jewelry industry, Honora now stands as the largest Freshwater Pearl Jewelry company in the United States. Honora’s focus on creating colorful and affordable pearl jewelry has helped open pearls up to the largest audience in the 100+ years of cultured pearls. The Honora brand is available at fine jewelry locations worldwide and select e-commerce platforms. For more information, please visit us at:
The Honora Blog – Blog.Honora.com
Facebook – www.Honora.com/Facebook
Twitter – www.Honora.com/Twitter
Sam Patania, as the third generation of Patania artisans, has followed very much in the footsteps of his father and grandfather before him. He began his apprenticeship at the Tucson Thunderbird Shop when he was a young teenager. For the next decade, his after-school training would be a major part of his daily routine. But Sam followed his own path, too, having sought instruction outside the traditions of the shop. In his 1977-78 school year, Sam enrolled in a jewelry-making course at Catalina High School where he explored new approaches to his craft. In 1979, he became a full-time employee of the Thunderbird Shop. To feed his desire for knowledge, he attended the University of Arizona in 1988-89, where he met jewelry instructor Michael Croft.
Sam tries to keep within the traditions with which he was raised, honoring his father and grandfather, and other artisans as well, including well-known silver designer William Spratling.
Sam’s personal philosophy as a jewelry artist reflects this aesthetic: “A desire to learn drives my work,” he says. “New techniques, symmetry, asymmetry, materials—all are areas which continue to drive my designs. Color captures my eye and the thought of the beautiful women who will wear my work keeps me inspired.”
Sam’s talents shine like his one-of-a-kind creations, such as the one that is currently in the permanent jewelry collection of the Renwick Gallery in Washington, D.C..
Sam's studio is housed in the old Thunderbird Shop. He calls his company, “Patania Sterling Silver Originals” to honor the creative spirit that has earmarked this family’s heritage for three generations. The strength and character of the Patania name and tradition show no sign of weakening—doubtlessly, this is a family whose standard of excellence will survive and thrive well into the future.
(taken from "Patania: 70 Years of Excellence, Part II" by Shari Watson Miller,MODERN SILVER magazine, April - May, 2001)
Click here for Marbeth Schon's brilliant Interview with this amazing 3rd generation artist of the Patania family of artisans on Modern Silver.
The American Opal Society proudly presents its: 42nd Annual OPAL & GEM SHOW Come visit the Biggest Opal Show in the USA!!! WHAT: * Dozens of Opal and Gem Dealers from around the USA and Australia. * Rough and Cut Opals, Opal Jewelry, other gemstones, books, tools, etc. * Huge Raffle with many prizes of opals, gemstones, jewelry, lapidary tools, etc. * Free Seminars on opals, jewelry making, mining and more on Saturday and Sunday. * Free Demonstrations on gemstone cutting, jewelry making, etc. WHEN: Saturday, 10am-6pm, November 7, 2009 Sunday, 10am-5pm, November 8, 2009 WHERE: New Location!
ADMISSION: Adults $3.00, children under 15 FREE. Plenty of FREE Parking. One FREE raffle ticket is included with each paid admission. American Opal Society, Inc., P.O. Box 4875 Garden Grove, CA 92842-4875 The American Opal Society is a non-profit organization, educational in nature, whose primary purpose is promoting interest and knowledge of the precious gemopal. |
| Alan Revere Inducted into National Metalsmiths Hall of Fame |
 The Florida Society of Goldsmiths is very pleased to announce that Alan Revere of San Francisco has been selected as the 2009 recipient of the National Metalsmiths Hall of Fame Award in the category of Artist/Arts Educator. The award recognizes outstanding contributions and consistent support of the metalsmithing arts. Jean Marie DeSpiegler, FSG's Executive Director stated, "We are very excited to add Mr. Revere to the list of distinguished recipients." The National Metalsmiths Hall of Fame began in 1999. Here is a list of individuals who have been inducted to date: Kurt Matzdorf in 1999, Phil London in 2000, Ramona Solberg in 2001, Mary Ann Scherr and Jack Prip in 2002, John Paul Miller in 2003, Bob Ebendorf and Helen Drutt English in 2004, John Cogswell in 2006, Jean Stark in 2007 and Mary Lee Hu in 2008. The Hall of Fame is housed at the Morean Arts Center in St. Petersburg, Florida. One wall of the metals studio/classroom is dedicated to this and includes photos of each recipient and an example of his or her work. The award itself was a group effort. It was designed by Phil London along with Julia Woodman, who constructed the silver tessellated piece. Ken Wynsma, a woodworker and metalsmith, constructed the base. The Florida Society of Goldsmiths has over 400 members in several chapters around the state. Mr. Revere is widely known and respected as a leader in the jewelry industry, as an award-winning designer and as an educator and author. He has taught over 10,000 students in all aspects of jewelry making, mostly at his school, the Revere Academy of Jewelry Arts, in San Francisco, California. Upon receiving the award, Alan acknowledged all of the goldsmiths who went before him throughout history, and who through their efforts paved the way for today's craftsmen and women. The members of FSG are excited to give this award to one of the most important individuals in our field today. Above: Alan Revere holding the 2009 National Metalsmith's Hall of Fame Award in the category of Artist/Arts Educator Photo by Christine Dhein Article via the October 2009 Revere News |
First, I have to say that up to and even after the Jewelry Artist name change, our content has been steadfast -- the best information about metal and stone jewelry making -- since the 1940s, when we began publication. It’s really just the package we put Jewelry Artist in that was a little too tight, constricted, and dry, kind of like a dress that didn’t fit.
So, we’ve been gently making backstage alterations, and will begin to roll out a fresher look with your December issue. We’ll still have jewelry and gem projects, our usual departments, features, and all the great stuff we’ve always had. It will just get easier and easier for you to find it. We hope you’ll experience a publication that’s a pleasure to read, browse, use, and love. You’ll definitely find more on stone, more on design, clearer sources for tools and materials, and more useful tips, tricks, and information on the latest jewelry techniques than anywhere else -- same as always, only better.
Do me a favor -- e-mail me when you get your copy, and let me know what you think. And, if, like me, you've been a long-time reader and have been calling the magazine Lapidary Journal all along, feel free to leave it at that. (You can even "forget" the second half of our name. You know you want to.)
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As one of the subscribers that was very sad to see the Lapidary Journal become Jewelry Artist - I have to say that the content has always been top notch and I am now a huge fan of the latest incarnation of the magazine. I will however be very pleased to see more lapidary and gem info - you produce an incredible product! Keep up the good work!
